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This ‘sounding relay’ can, if you prefer, be turned off via the settings mode, accessed by holding down the transformer and bypass buttons. I’m talking subtleties and musical emotions here, of course, and the differences were often almost imperceptibly small. Yes No Good price, given the sound and facilities. This section has its own saturation clip LED as well as a bypass button. The shelves offer stepped choices of 30-50-70-90Hz and 8-12-16-20kHz respectively, each with ±. In addition to their legendary large format consoles, over the past decade SSL has been catering to the growing project studio market, launching tabletop products such as the compact X-desk and the even smaller SiX mixer (announced March 2019). Since 1969, England’s Solid State Logic (SSL) has reigned as one of the world’s most respected manufacturers of high end recording consoles. A very classy, versatile signal processor. ince 1969, England’s Solid State Logic (SSL) has reigned as one of the world’s most respected manufacturers of high end recording consoles. No price information. I can’t think of any other product that works this way, but it’s very neat — it provides feedback to the user that switching has occurred, and is especially helpful when not looking at the Fusion while making adjustments (such as when switching a section in and out). By Salim Akram ⋅ Published: August 24, 2020 ⋅ Updated: October 5, 2020 The Fusion signal path moves from left to right, beginning and ending with I/O level controls detented at the 12 o’clock position, each providing ▽12dB of gain. A label declares the Fusion to have been ‘Engineered in the UK, made in China’; both the engineering and building are to very high standards, with most circuitry taking the form of surface‑mount devices on a large motherboard. Its two orange controls are a ±10 threshold and a variable crossover spanning 3-20kHz. More details from SSL (www.solidstatelogic.com): Just two years after its launch at AES in 2018, Solid State Logic’s Fusion […] What do these interfaces bring to the table that we don’t already have, and just what is so special about that Solid State Logic sound? As a device for introducing ‘stereo analogue colour’, the Fusion hits the mark very nicely indeed. In use, HF Compressor works great for taking, The last full section on SSL Fusion is Stereo Image. Fusion is designed for stereo processing. It’s intended for gentle tonal shaping of a finished mix; for adding a low‑end solidity or high‑end gloss, perhaps. The two sections offer a sensibly restrained gain range of ±9dB. The shelves offer stepped choices of 30-50-70-90Hz and 8-12-16-20kHz respectively, each with ±9dB of attenuation. It can even offer tape machine-style high frequency rounding. There’s also a master bypass, and a couple of buttons to engage and position the insert point. Other than that just hook up a conventional power supply cable and your good to go. The design builds on SSL’s extensive experience, of course, but while the stereo input and output trim and high‑pass filter stages are familiar enough, there’s no repurposing of ‘legacy’ circuitry. This includes almost all the facilities of the Fusion but it processes exclusively in the digital domain, so it was interesting to set up similar processing chains for the two boxes and switch between them. This was followed by painstaking development and refinement with the help of a team of trusted mix and mastering engineers. The blue knob on the right alters the width of your image by adding or subtracting the side signals. Neatly summed up by its ‘Stereo Analogue Colour’ front‑panel slogan, the Fusion has been two years in the making, the result of careful analysis by SSL’s engineers of various bits of highly regarded equipment to determine just what creates the desirable characteristics associated with high‑end analogue gear. While I could achieve very similar overall results in most cases, I almost always ended up preferring the sound of the Fusion... a fact that doesn’t bode well for my bank account! That’s not to say it can’t add crunch and grit, exaggerated smiley response curves, and excessive stereo image widths if that’s desired — it most certainly can do that, especially when working on individual sources rather than final mixes. It converts the signal from Left‑Right to Mid‑Sides for processing, then back to L‑R for the ongoing signal path. For example, pressing and holding bypass moves the bypass point post the input trim, while doing the same with the insert button configures the insert point to work in Mid‑Sides mode. All connections are made on the backside of the unit, where there are two pairs of balanced XLR I/O connectors. Since 1969, England’s Solid State Logic (SSL) has reigned as one of the world’s most respected manufacturers of high end recording … Processes typically have no more than one or two controls each. Solid State Logic has announced Fusion, an all-analogue 2U-high outboard processor hybrid studio applications. A combination of high Drive and very low Density settings seems to produce a kind of dynamic expansion, which can be useful for emphasising transients in already compressed sources. I find it easier to focus on what I’m doing to the sound when I can close my eyes and tweak the knobs and buttons by touch alone, rather than having to coordinate my mouse with an on‑screen pointer, and the Fusion is great for that tactile way of working: grab the control, close the eyes, listen and tweak! A stereo input level LED glows when input peaks exceed +27dBu. According to SSL, Vintage Drive is a “non-linear harmonic enhancement circuit” that adds harmonic distortion and saturation to the signal. For my own small‑scale mastering work, I often use Drawmer’s DC2476 processor. The last tone shaping control on Fusion is a 600Ω, 1:1 transformer that can be added last in the chain with the push of a button. This classy stereo processor aims to bring analogue colour to your digital recordings. View Similar Amazon US. PreSonus StudioLive 32SC Series III Mixing Console. A grand total of 13 colored knobs, 8 backlit push-buttons, and a stereo LED meter are conveniently arranged on a good-looking brushed gray metal faceplate. Boosting the low‑end width relative to the highs can give a greater sense of spaciousness and depth, and that’s the main intention here, but this processing can also be used to sharpen and improve the focus of the stereo image obtained from simple coincident mic techniques. Solid State Logic has entered the “affordable” segment of the pro audio marketplace for the first time with its 2+ USB audio interface. In short, then, the Fusion represents an interesting new direction for SSL, and it’s one they’ve embarked upon with confidence and accomplishment. Vintage Drive is an addictive process. One is for the main stereo ins and outs, and the other addresses a flexible insert point (explained below). Fusion expands the processing palette for hybrid studio owners and is a superb partner for the SSL Stereo Bus Compressor. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Fusion presents a synergy of six processes: Highpass Filter, Vintage Drive, Violet EQ, HF Compressor, Stereo Image, and Transformer. The insertion point can be placed pre-Violet EQ or post-HF Compressor, and it can also be set for MS use. Fusion takes SSL into a new era with the introduction of a suite of new analogue processing tools that offer exceptional tonal character and versatility. Each can be bypassed using the illuminated buttons below the respective controls. Solid State Logic’s large-format mixing consoles grace some of the world’s finest pre- and post-production, audio, video and broadcast studios, including Abbey Road, Real World and Westlake.These monsters can come with mortgage-sized price tags but, in recent years, SSL has taken the knowledge that goes into these ultra … The blue knob on the right alters the width of your image by adding or subtracting the side signals ±6dB. Solid State Logic Fusion Features: A master processor with 5 new SSL analog color circuits Vintage Drive — a unique nonlinear saturation circuit designed to bring that cherished gradual analog overload sound you get from pushing vintage equipment into the sweet spot Fusion introduces SSL’s first new EQ design in 25 years, the Violet EQ, a phase coherent, two-band shelving EQ. Width alters the overall level of the Sides signal over a ±6dB range to narrow or widen the image width, of course, but the Space control may be less familiar. The sound is gentle overall, but Violet can still add a fair amount of low thump and glorious air. Technically, the Fusion’s I/O has a generous headroom margin, easily accommodating up to +27.5dBu, a plentiful 3.5dBu over and above the peaks of the hottest of normal converters. A bypass switch lets you compare and contrast. The purple‑capped low section is switchable for corner frequencies between 30, 50, 70 and 90 Hz, and the pink‑capped high section between 8, 12, 16 and 20 kHz.
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