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at4047 vs tlm 103

at4047 vs tlm 103

Tried it on vocals and found it too bright for my taste on most sources, but for some voices it serves very well, more specific/less utility. It includes some of the same features, like the frequency range, very low noise of operation, and the cardioid pickup pattern. Interestingly enough, there is also a digital version, the TLM 103 D, which features built-in A/D conversion. It’s not necessarily dark in the high end, but neutral, and the lows/mids are bumped up a little bit. On the other hand, the 102 is designed to deal with even louder noises without clipping, even up … I agree the AT4047 has a nice rich and full tone. Nuemann TLM 103 vs. Shure KSM 44 vs. AKG C414 Sign in to disable this ad I first was planning on buying the Shure sm7b, untill i decided to bump up my budget. I spent a lot of time listening to shootouts with the AT4047 recently, and while I freely admit to not having used it recording yet, it appeared to me to be a bit warmer with contained highs relative to a lot of other mics. On the other hand, Neumann TLM 103 is more expensive. Classic tube designs like the U 47 and U 67, modern transformerless innovations like the TLM 49 and TLM 67, and affordable offerings like the TLM 102 and TLM 103 can be heard on countless recordings. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. I would not call the TLM 102 a bright mic, but it is brighter than the AT4047. On-mic switches provide access to a -10dB pad and a high-pass filter (-12dB/octave @ 80Hz). 4047 has a 'sound' to it which may or may not work well with the tone of your voice. Neumann TLM 103's are everywhere & they sound very good. By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. It has a “warmth”. In the following article, we will discuss the comparisons between Neumann TLM 102 vs 103, which are both among the more affordable models from the company. Neumann TLM 103 Cardioid Condenser Microphone. Most of my production is minimal, so i benefit from the 4047. The TLM 103 is a fixed-cardioid, large-diaphragm FET microphone intended for the project-studio market. I'm having good results these days with a 3U Audio GZ67. The sound was pretty much identical. Prefer the 4047 on most sources. Is something wrong with me. I am about to make my first big mic upgrade and am torn between these two mics. Just has a nice rich and full tone, whereas the 102 is very modern and bright, but would prob work better in a very busy mix. Should I look at a cheaper mic like the AT4040 with a pre amp or should I pull the trigger and go for a neumann 102 or AT4047. On the other hand, Neumann TLM 103 is more expensive. Mic Shootout: Sm7b, AT 4047, TLM 102, 414B-XLS...clips inside. what do you envision or plan/need to use the new mic for? When the mics were trimmed for equal level, the selfnoise difference was almost undiscernable. Not very dark either..but not bright. It wasn't bad on acoustic guitar though. I've never heard the AT4040 so I can't compare to that. The only AT mic I've owned was the 3035, one of the cheaper ones but it was very flat and really useable in that it took EQ well. But I find it works best on vocals and close-up sources, whereas the TLM102 is more versatile and will not impose as much of a frequency curve on what it's recording (it's relatively flat except for a bump in the 10K region). Both mics had bass roll-off engaged. The sound character of the TLM 103 cannot deny its origin: Its role model in the development process was our U 87, which is regarded the reference microphone in studios around the globe. Of the four, I have the 4033 and the TLM 103. Look in any top-tier studio, and you'll find at least one Neumann. Know anybody with one to try it out first? The TLM 103 is smoother and has a thicker sounding bottom. And the legendary U 87 is as close to a studio-standard as you'll find. I'm upgrading from an AT2020. Anybody have experience with both? Neumann TLM 103 Vs 102. Neumann TLM 102 is available at a lower price point, and is praised for the natural audio character. I tend to like brighter mics but it wasn't flattering in any direction. The TLM 103 offers everything demanding users could wish for: nuanced vocals with precise reproduction of sibilants and excellent speech intelligibility. I did a shootout a while back that included these two mics on some vocal snippets. (The SM7B could use a little extra sparkle from the tube pre and doesn't need the vibe of the GAP although the GAP is quieter at high gain). In doing some voice over work, I had used the U47 and subbed the 4047 on one date. To join the "choir", 4047s aren't bright. I have been using an NT1A and SM7B. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. Output seemed to be pretty hot. I first compared the AT4047/SV to a Neumann TLM 103, through GML mic pres. The sound character of the TLM 103 cannot deny its origin: Its role model in the development process was our U 87, which is regarded the reference microphone in studios around the globe. A friend brought over a TLM103 one time. I had a TLM 103 on loan for about 6 months and found it most useful for close instrumental recording (1-3'), also worked well a few feet off a guitar amp. Neumann considers it a low-budget microphone, although its street price is about $1000. Neumann TLM 102 is available at a lower price point, and is praised for the natural audio character.

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