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12 secret gospel passing chords pdf

12 secret gospel passing chords pdf

Dominant 7th 3. l. The use of substitute Dominants (or 7th chords) This is one of the most common passing chord devices. This is precisely the opposite of the situation in … But before we get started, let’s refresh our minds on what passing chords are. 12 Days of Music: Day 8 - 12 Gospel Secret Passing Chords Revealed Tweet Alright, Christmas is almost here and we decided to provide for both bass and keyboard because so many musicians have been emailing us over the 12 Days of Music on different topics. And that means the chord change V – I is the smallest scale move you can make in harmony. If you are moving from a C Chord (I) to an F Chord (IV), you can play an F#7 chord, which is a half-step above the F chord. I suggest to study five families of chords: 1. harmony the V chord is the scale neighbour of the tonic chord. The V chord and the I chord are, therefore, harmonic scale neighbours. To take this a step further, we could add a dominant passing chord before the 5 chord, in this 251 progression. Diminished 7th Play every chord :12 chords X 5 families = 60 chords X 4 inversions = Minor 7th 4. The fondamental drill is playing every chord and every inversion of each chord. In order to improvise you need to know and play every chord very well. The V chord is G7 and a half step above G is Ab so we want some kind of Ab7 chord. Although passing chords are used in so many ways, we’ll be focusing on two uses of passing chords in this lesson. A Short Note On Passing Chords chords), and later replace these triads with dominant seventh chords and minor seventh chords for added color and tension. A Strong Pull To Resolve Down A Half Step Jazz and Gospel pianist relies heavily on these passing chords, and their concepts, therefore, if you aspire to play those genres effectively, this course covers ALL of the secrets. Chords for Piano Compiled by Simon Creedy PLEASE DISTRIBUTE FREELY The contents of this pdf file can be distributed freely and are available to everyone. Half-diminished 5. The use of passing chords is common in jazz and gospel music where the harmony is dynamic. Some progressions will explicitly use seventh chords, while others will not. This half step movement is very common and can be used from the other direction also. And if we play both dominant chords one after another we can view Db7 as a passing chord into Cmaj7. Major 7th chord 2. `RULES FOR PASSING CHORDS. However, you can be creative and substitute these chords, even including major seventh chords or other types of extensions as you learn them.

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